Feeling inordinately grumpy; listening to Vienna Teng’s “Harbor” on repeat isn’t so much helping with the grumpy as adding a huge heaping pile of wibble on top of it.
*wibbles grumpily*
I spent most of the plane trip back writing fucked up Districtmancy AU-of-the-AU porn (the one where Silverlock isn’t a horrible person but terrible things seem to happen to Macauley and Blaine anyway); I like Barnes & Noble’s little refillable journals, as they are apparently the perfect size for me to write incriminating things in public in.
“Harbor” has also, by the way, become a Toggle Silverlock song, which is…almost too adorable for words, actually. Almost. I may find the words and write that fragment, even if it is mostly an excuse for me to wank about religion in Toggle and and God-modded Blaine. And to write blatant cuddling and possibly mildly exhibitionist sex (or, at the very least, pantless shennanigans) in the Gardens of Venani. (”You do realize there are acolytes looking for me as we speak?” “I most certainly do. And yet, you’re the one trying to remove my pants.” “Don’t talk back to priests, it’s bad for your soul.”)
(Alternately, “Furthermore, Little Brother, though your presence here on Our holy grounds is certainly most pleasing to Us after so many years of your estrangement from your brethren, We would be most appreciative if you could perhaps make an effort in the future to conduct yourself with greater decorum and more clothing when making use of Our public spaces.” “Of course, Your Profundity. If we may be excused?” “Indeed.” “Does it make it better or worse to know that the Avatar was enjoying the view the entire time she was, er, dressing you down?” “Worse. Definitely worse. I’m just going to go drown myself in one of the viewing pools now.”)
(Blaine and Ashanisha are actually good friends later in the post-story; this takes place a little too soon after his resurrection for him to feel anything other than irritated and resentful at everything related to Venani. (”You’re one of the most powerful Apostles in the history of this church, and yet you can barely stand to be in the presence of your god.” “Ironic, isn’t it? On the other hand, ‘Isha, you, of all people, should understand that our deity is kind of a dick.”) After a few years he mellows out a little bit and stops being quite so angry- unlike Silverlock, who never stops being angry and spends the next few hundred years making a point of terrorizing the acolytes and junior Apostles. He gets away with it because Ashanisha and Wyn like him, and so does Ashanisha’s successor.)
Voxtrot’s “Rise Up in the Dirt” is still sort of the quintessential Silverlock–>Blaine song prior to and during the Riftwar; “Harbor” is more applicable to them at the very end of the story, and the years afterwards, when they’re being all stupidly happy together. (Seriously. The happy, it is of sub-par intelligence. *rolls around in the fluff*) “Dela” is the original Blaine–>Silverlock song; Duncan Sheik’s “Home” is the post-story one. And yes, “Harbor” and “Home” are both kind of saccharine and stereotypical, but I don’t really care. I’m allowed to make stereotypical, saccharine song calls if I want to; “On Love, In Sadness” is still the song call for Blaine’s death, after all, and that’s never going to change.
Toggle gets all the cute, happy, sentimental music; Districtmancy gets NIN and “The Widow”. *anguish hands* (It occurred to me the other day that my primary influence for DM-verse at the moment is Wuthering fucking Heights, and then I laughed until I cried a little because auuuuugh.)